Introduction
Addington Manor, an exquisite architectural masterpiece, once stood as a symbol of grandeur and heritage in Buckinghamshire. Built between 1856 and 1857 by Philip Charles Hardwick, the manor embodied the finest elements of French chateau-style architecture, with three lofty towers, intricate stone dressings, and a magnificent conservatory. This article explores the fascinating history of Addington Manor, from its construction and prominent ownership to its eventual demolition and the subsequent development of the estate.
Philip Charles Hardwick
The Architectural Vision
Philip Charles Hardwick: The Visionary Architect
Philip Charles Hardwick (1822-1892) was a renowned architect known for designing notable structures such as the Doric Arch and Great Hall at Euston Station and the Great Western Hotel at Paddington Station. His expertise in classical and grand architectural designs was evident in Addington Manor, which featured:
- Brick construction with Bath stone quoins and dressings
- A heavy lead roof
- Three towering structures
- A meticulously designed conservatory
Design and Unique Features
Addington Manor showcased a modified form of the French chateau style. One of the most remarkable elements was the great central tower, around which was inscribed the biblical verse: “Except the Lord build the house their labour is but lost that build it. Anno Domini 1857.”
Additional design highlights included:
- A library window adorned with the phrase “Dei Donum”
- Third-storey windows displaying the monogrammed initials of John Gellibrand Hubbard and Maria Margaret Hubbard
- The family crest and motto “Alta Petens” featured on the north and south fronts
- Ornate ceiling decorations by Owen Jones, with the oak hall ceiling replicating that of an older Addington Manor
The Original Owner: John Gellibrand Hubbard
A Financier and Political Figure
John Gellibrand Hubbard (1805-1889), a respected financier and Conservative politician, acquired the Addington estate in 1854. He played a significant role in the financial sector and held positions such as Governor of the Bank of England and Member of Parliament. In 1887, he was honored with the title of 1st Baron Addington.
Distinguished Guests and Social Gatherings
The Hubbard family moved into Addington Manor in December 1858, hosting many notable guests over the years, including:
- HRH The Duke of Connaught
- Princess Victoria Louise
- Bishop Wilberforce
- Members of the Gladstone family
- Influential politicians from both Houses of Parliament
The Later Years and Demolition
The 2nd Baron Addington and the War Era
Following the death of the 2nd Baron Addington in 1915, the manor underwent significant changes. During World War I, the property was leased as a school. In later years, it became a guest house and hotel, under the management of Mrs. Lawson-Johnston, Mrs. Hocker, and Mr. Gordon Holmes.
Sale and Demolition
In 1926, Mr. C. B. Smith-Bingham purchased the estate and resided at the neighboring Addington House. By 1928, he had made the decision to demolish the manor, entrusting architect F. H. Clark with overseeing the process. In June 1928, an auction was held to sell off the fittings and materials, with another auction following a month later.
The 1928 Addington Manor, Buckinghamshire
The Rebirth of Addington Manor
The 1928 Neo-Classical Manor
Following the demolition, architect Michael Theodore Waterhouse (1889-1968) designed a smaller neo-Classical house to replace the grand manor. This newly built structure served as a residence for Czechoslovak Military Intelligence personnel and their families during World War II.
The Estate’s Evolution into an Equestrian Centre
In subsequent years, the property was acquired by Lord Inchcape, who transformed the estate into the Addington Manor Equestrian Centre, a renowned hub for equestrian events and activities.
Conclusion
Although the original Addington Manor no longer stands, its legacy continues through historical records and the equestrian centre that now occupies its grounds. The manor remains an enduring symbol of architectural brilliance and aristocratic heritage, reflecting the grandeur of the 19th century and the fascinating transformations of the 20th century.
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